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"I weave and connect traces and tracks of subtle changes into organic forms. The organic forms are made with mass-produced industrial materials, in particular, Monofilament and cable ties. They are non–durable, disposable, trivial, inexpensive and easily consumed materials. But, when I weave and connect them, they are transformed into organic visualizations. I want them to be creating lasting moments, evoking and...
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"How can black and white drawings do this, you might ask. But maybe only black and white drawings can do this—Gendry-Kim offers us here a glimpse of the heart of a woman who has lost more than some might ever find, and who has never given up her love, if not her hope. The Waiting is a stunning achievement, and a testament to the power of her artistry. Not a line or word feels out of place." - Alexander Chee Keum...
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This year’s Annual Dinner, The Korea Society’s premier event of the year, was held on October 19 at The Plaza Hotel in New York City. Korea Society Board Chair Ambassador Kathleen Stephens and Korea Society President and CEO Thomas J. Byrne welcomed all our guests to the gala, an especially meaningful event marking the return to in-person events. Former News Anchor and Reporter Vivian Lee seamlessly navigated gala...
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"Cutting up, breaking apart, or melting, are some of the ways I lose my familiarity with an object and see its material qualities. Exposing a hidden rawness, I am able to consider the gap between how I know these objects and what they really are. I hope my sculptures can turn things that are considered passive and inert into new unknowns with unexpected eccentric faces." - Woomin Kim Through her textile and...
