Tiger with Two Cubs and Two Magpies, Late Joseon Dynasty (18th or 19th Century), Mattielli Collection. Image courtesy of jstor.org | In this lecture, Professor Sunglim Kim explores Korean folk painting, minhwa, and examines its origin and development, the different genres within it, and their meanings and functions. She will also illustrate how minhwa paintings were consumed by Koreans in the past and the present. MinhwaKorean Paintings of the People,… Read More

Robert Browning Associates, Lotus Music & Dance, and Roulette present in association with The Korea Society and the Korean Cultural Center New York: gamin & ensemble: Korean Music & Beyond This entrancing program of traditional Korean music (rooted in shamanic rituals and agrarian life) and contemporary music influenced by Korean culture is led by the engaging master multi-instrumentalist gamin (piri -double-reed oboe, saenghwang - mouth organ, and taepyungso – double-reed… Read More

The Korean-born, German-educated, life-long New Yorker, Nam June Paik (1932-2006) coined the phrase “the electronic superhighway” long before the Internet was born. A consummate shape-shifter — classical composer, subversive trickster, pioneer of experimental “interventions” (he called “action music”) and, according to friends, speaker of nine languages (all badly). Paik’s influences ranged from Hegel to Schoenberg, from traditional Korean dance to Buddhism, space travel, and beyond. Debut filmmaker Amanda Kim’s captivating,… Read More

Traditional Korean Painting for Modern Times: In Seongmin Ahn’s paintings, it is not our past we are looking at but our possible future. - John Yau, Hyperallergic In her solo exhibition at The Korea Society, Seongmin Ahn presents a series of paintings and wall installations that fuses her insight in the relativity of perception with a deep regard for traditional Korean art, especially minhwa–folk painting. In her work, Ahn begins… Read More