Films/ Media

Cinema Korea: The Past, Present and Future of Korean Films

Thursday, August 28, 2008 | 5:30 PM
- Event Link: Christine Choy is an Oscar-nominated filmmaker and the chair of the graduate film and television department of New York University. She was trained as an architect, receiving her MS from the Graduate School of Architecture, Planning, and Preservation at Columbia University. Choy earned a directing certificate from the American Film Institute (AFI). She has produced and directed about seventy cinematographic works, including Homes Apart: The Two Koreas (1991), Out in Silence (1994), and In the Name of the Emperor (1994). In the course of her career, she has received over sixty international awards, most notably fellowships from the John Simon Guggenheim Memorial Foundation, the Rockefeller Foundation and the Asian Cultural Council. She also earned an academy award nomination for the documentary film, Who Killed Vincent Chin? (1988) In addition to teaching at New York University, where she became the first chair of the graduate film school of Asian descent, Choy has lectured at Yale, Cornell and SUNY Buffalo. She was also a visiting scholar at Evergreen State College as well as the Oslo and Volda film institutes in Norway.  JungBong Choi is an assistant professor in the department of cinema studies at New York University’s Tisch School of the Arts as well as a visiting assistant professor of cinema studies at Korea National University of Arts. Choi has taught cinema studies and Japanese and Korean media culture at the University of California Santa Barbara and the University of Iowa. His research centers on the sociopolitical aspects of culture, media/cinema, and digital technologies within the theoretical frameworks of the nation-state and globalization. Other research interests include the hallyu phenomenon, Korean media culture and cultural regionalization in Asia. Choi's writings have appeared in a number of books and journals including the Journal of International Communication, Social Identities, and the Journal of Communication Inquiry. The co-editor of Television, Japan, and Globalization (University of Michigan Press, forthcoming), he is currently at work on a book about the rise of the East Asian cultural sphere. Jina Kim is an assistant professor of East Asian studies at Smith College. She received her MA and PhD in Asian languages and literature and an MA in international studies from the University of Washington. Her research focuses on the cultural history of early 20th century Korea with primary concentrations in Korean and global modernisms and urban modernity. Other research interests include comparative colonialisms, the Korean diaspora, critical and cultural theory, gender, science and technology studies, film history, and media culture. Kim is the author of the forthcoming essays “Aesthetics of Horror: Fear and Madness in Contemporary Korean Cinema” and “Love, Loss, and Longing: From Sijo to Contemporary Ballad, A Psychoanalytic Reading.” Kim teaches courses on Korean film, contemporary popular culture, gender and modernity, urban space and identity, and other courses on Korean literature and history. Prior to coming to Smith College, she taught Korean literature in the Department of East Asian Languages and Civilizations at the University of Pennsylvania.
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WithChristine Choy, Film DirectorJung-Bong Choi, Assistant Professor of Cinema Studies, Tisch School of the Arts, NYUJina Kim, Assistant Professor of East Asian Studies, Smith College The Korean film industry, which once struggled to attract domestic audiences, has been successfully exporting its products and expanding its influence throughout Asia, Europe and North America in the past decade. These days, casual observers associate Korean cinema with the broader cultural phenomenon... Read More
A Korean Actor on the World Stage: Ahn Sung-ki

Wednesday, August 27, 2008 | 6:30 PM
- Event Link: Ahn Sung-ki's long and successful acting career closely tracks the achievements of a half-century of Korean cinema. Having starred or appeared in an outstanding number of the Korean film industry's greatest artistic and commercial successes, Ahn is commonly referred to as “the national actor” by the Korean press. Ahn’s natural acting style, nuanced treatment of complex roles, and an ability to play a wide range of characters has earned him the respect and admiration of audiences and critics alike. After winning "Best Child Actor" for Defiance of a Teenager at the 1960 San Francisco Film Festival (his second film for cult director Kim Ki-young, who gave Ahn his first role in The Twilight Train three years earlier), Ahn successfully made the transition from child prodigy to leading man. Over the course of his 50-year career, Ahn has compiled one of the best and most eclectic filmographies in the industry. In his career, he has worked closely with director Im Kwon-taek on classics like Mandala,Festival, The Taebaek Mountains and Chihwaseon. His acting credits include appearances in Korean cinema’s greatest achievements: Bae Chang-ho's Whale Hunting, Deep Blue Night, and Our Sweet Days of Youth; Lee Kwang-mo’s Spring in My Hometown; Jung Ji-young’s White Badge and North Korea’s Southern Army (for which he received the Blue Dragon Award for Best Actor in 1990); Kang Woo-suk's Two Cops; Park Kwang-soo’s Chilsu and Mansu and To the Starry Island; and Lee Myung-Se’s Nowhere to Hide. The winner of scores of prizes from Korean and Asian film festivals, including five Baeksang Art Awards, Ahn was named "best actor of 1997" by Cine21, Korea’s leading film magazine. More than a screen star, he has risen to become an iconic national figure in Korea. Omnipresent in Korean advertising, he often appears as a trusted father figure. Indeed, in the parallel history that nations write for themselves through their art, Ahn has come to represent the human face of leadership making him a natural for the role of the nation's chief executive in TheRomantic President. He'll soon be tackling a role his fans have longed to see him in when he plays Korea's King Sejong in the upcoming The Divine Weapon. Hyangsoon Yi is an assistant professor of comparative literature at the University of Georgia where she teaches both Korean and comparative literature and Korean and Japanese cinema. Yi holds a Ph.D. in English from Pennsylvania State University and a Ph.D. in foreign language education from the University of Georgia. A member of the Film Advisory Committee of the Georgia Museum of Art since 1997, Yi has organized two Korean film festivals for the Georgia Museum of Art and currently serves as an advisor for its East Asian Film Club. She also has directed the University of Georgia's Korean Language Program, Yi’s publications include: "Reflexivity and Identity Crisis in Park Chulsoo's Farewell, My Darling" (Seoul Searching: Culture and Identity in Contemporary Korean Cinema, SUNY Press, 2007); "Kurosawa and Gogol: Looking through the Lens of Metonymy" (Literature/Film Quarterly); and "The Homecoming of a Traveller: A Sense of Place in Brian Friel's Faith Healer" (The Journal of English Language and Literature).
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A Korean Actor on the World Stage: Ahn Sung-ki A Discussion with Ahn Sung-ki moderated by Hyangsoon Yi, University of Georgia. Wednesday, August 27, 6:30PM 6:00 PM-7:00 PM ♦ Registration and Reception 7:00 PM-8:30 PM ♦ Discussion and Q&A The Korea Society 950 Third Avenue, Eighth Floor, New York City (Building entrance on SW corner of Third Avenue and 57th Street) Ahn Sung-ki, the “people’s actor” of Korea, will speak about his long and rich acting career as well as... Read More
New York Korean Film Festival Opening Reception

Thursday, August 21, 2008 | 6:00 PM
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Join us for an exciting week of film, shorts, panels and parties at the largest celebration of Korean cinema in the United States. The New York Korean Film Festival showcases dynamic and exciting currents in contemporary Korean cinema and this year looks back on the career of award-winning actor Ahn Sung-ki with a special retrospective. You are invited to come kick off this year's Festival at a star-studded reception and screening at one of New York City's newest and most celebrated spaces,... Read More
Classic Movie Night: Films From the North

Monday, May 12, 2008 | 6:00 PM
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South Korean films continue to set box-office records across Asia and win laurels in international film festivals. Meanwhile, little attention is given to the cinema from the other half of the peninsula. From May 12 to 14, 2008, three films from the DPRK’s canon will be screened as a special presentation in the Classic Movie Night series. The films—Hong Gil Dong, Bellflower, and My Look in the Distant Future—have been rarely seen outside the former Eastern Bloc. Cinema in the DPRK is an... Read More
Lee Chang-Dong and Moon So-ri present "Oasis"

Monday, May 5, 2008 | 7:00 PM
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With Director Lee Chang-Dong and Actress Moon So-ri. Wednesday, May 5, 2008 | 7:00 PM Asia Society725 Park Avenue (at 70th Street)New York, NY 10021 Admission:$10 Members / $12 Non-members OASIS (133 min) 2002오아시스 Lead actress Moon So-ri will join director Lee for audience Q&A after the screening. Jong-du Hong (Sol Kyung-gu) is just out of prison for manslaughter and decides to call on the family of the victim. They send him away, but not... Read More
Film Panel: Finishing the Game

Wednesday, September 26, 2007 | 7:00 PM
- Event Link: Justin Lin Producer, Writer and Director Lin made his solo directing debut in 2002, with the critically acclaimed Better Luck Tomorrow. Ebert and Roeper listed Better Luck Tomorrow as one of the top five best films of the year. Lin’s second major-studio feature, Annapolis (starring James Franco, Tyrese Gibson and Jordana Brewer) was released nationwide in January 2006. Lin subsequently directed Universal Studio’s The Fast and the Furious: Tokyo Drift, which grossed $150 million worldwide. Roger Fan Actor Roger Fan made his feature film debut in 1998’s Rush Hour and appeared in the Disney/Touchstone comedy Corky Romano. Fan has previously worked with Justin Lin in Better Luck Tomorrow and Annapolis. With a background in live theater, Fan has appeared in stage productions in Britain, Ireland the U.S. His most recent theater credits include Lettice & Lovage, Terminus Americana and Texas and Performance Anxiety.  Sung Kang Actor Another alumnus of Better Luck Tomorrow, Sung Kim has also worked with Lin on The Fast and the Furious: Tokyo Drift. Sung was featured in the 2005 Miguel Arteta-produced drama The Motel and the indie noir Undoing, starring Kelly Hu. Prior credits include supporting roles in Denzel Washington’s Antwone Fisher and Michael Bay’s Pearl Harbor.
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When Bruce Lee died, he left behind 12 minutes of footage from his final film. The upcoming movie Finishing the Game imagines what would have happened if bumbling studio executives had tried to find a passable stand-in for Lee to finish the film. The answer is hilarity. Starring Roger Fan (Better Luck Tomorrow), Sung Kang (The Fast and the Furious: Tokyo Drift), Monique Curren (Maria Full of Grace) and MC Hammer, Finishing the Game was an official selection of the 2007... Read More
Is the Korean Wave Dead? The Next Phase of Korean Pop Culture

Thursday, August 23, 2007 | 6:00 PM
- Event Link: Robert L. Cagle currently is an assistant professor of cinema studies at the University of Illinois at Urbana-Champaign. His essays on film have appeared in Cinema Journal, The Velvet Light Trap, AfterImage and CineAction. Cagle is currently completing a study of contemporary South Korean melodrama, for which he received the Korean Film Council's 2005 Grant for Overseas Research on Korean Film. Michael Huh is vice president of marketing and strategic development at ImaginAsian TV. Prior to joining ImaginAsian TV, Huh was vice president of marketing and business development for e-Comsoft, Inc., an e-commerce firm, and an integral founding member/vice president of marketing at abuz.net, a total solution e-commerce consulting firm. Huh also spent eight years at RJRSyracuse University and a BA from Colgate University. Nabisco, where he served as regional marketing and business planning director for the Asia Pacific region and managing director for Korea. Huh holds an MBA from the Whitman School of Management at Syracuse University and a BA from Colgate University. Kim Yong-Hwa is the director of the recently released film 200-Pound Beauty, which has already become the eighth highest-grossing Korean-made film and been nominated for a Grand Bell award. Kim made his directorial debut in 2000 with his graduation short film Salty Fish, which won prizes at the Rochester International Film Festival and Houston International Film Festival. He made his feature film debut with the 2003 hit Oh! Brothers. Kim is a graduate of ChungAng University where he majored in film.
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Recent years have seen a wave of Korean pop culture—known as hallyu—sweep across Asia as consumers from Thailand to Japan became ardent fans of Korean TV dramas, movies and music acts. No pop culture phenomenon lasts forever, however, and recently released statistics suggest that exports from Korea’s entertainment industry are now declining. Is the Korean wave finally ebbing? If so, why? And what can be done about it? These questions were put to Michael Huh, vice president of ImaginAsian TV and Kim... Read More
Producing a Film across Seoul and New York: Making West 32nd

Wednesday, May 2, 2007 | 6:30 PM
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Hollywood makes lots of legal thrillers, but none of them speak so directly to the Korean American experience as the newly released West 32nd. While in New York for the film’s premiere at the Tribeca Flim Festival, co-writer and director Michael Kang and stars Grace Park and Jun Sung Kim came to The Korea Society for a freewheeling panel discussion on how the film was made and what this unique, Korean American statement means to its creators. West 32nd is more than a... Read More
Hong Sang-Soo Tribute

Monday, April 16, 2007 | 4:30 PM

The Korea Society co- presents a 'Hong Sang-Soo tribute' with BAM Cinematek, featuring the celebrated Korean director's three latest films that have won over critics and audiences alike worldwide - Woman is the Future of Man, Tale of Cinema and Woman on the Beach. "One of the most exciting and authentically individual filmmakers to emerge on the world stage recently.... Wreathed in a profound melancholy, Hong's films lyrically explore the limits of subjectivity, both its pathos and its dangers, often through... Read More
Bong Joon-Ho Mini Film Festival

Monday, February 26, 2007 | 6:00 PM

A special line-up of acclaimed South Korean director Bong Joon-Ho's box-office mega-hits will include showings of Barking Dogs Never Bite and Memories of Murder, and shorts Incoherence and Sink and Rise. Bong will attend the screening of his latest film, The Host, for a Q&A afterwards. Bong Joon-Ho took the 2006 Cannes Film Festival by storm with his smart, terrifying new monster movie The Host. In anticipation of the film's release, this a mini-fest of his maximal career presents a special line-up of Bong's... Read More

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