THE KOREA SOCIETY

is a nonprofit, nonpartisan, 501(c)(3) organization with individual and corporate members that is dedicated solely to the promotion of greater awareness, understanding, and cooperation between the people of the United States and Korea. Learn more about us here.

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A Midsummer Night’s Soirée

Media

w/ Gallery Talk: Ungno Lee’s Art World | 

In celebration of the 60th anniversary of artist Lee Ungno's arrival in Paris, the Korea Society welcomes you to enjoy the art exhibition of the Korean-born French artist who combined the abstract tendencies of the Art Informel movement with traditional forms of Korean art. Artist and scholar Robert C. Morgan and former student of Lee Ungno, sculptor Alain Kirili, discuss Lee's work and the artist's influence on Asian contemporary art.

Join us for a summer gathering with fellow art enthusiasts, followed by a reception with drinks on the 25th floor rooftop terrace!

Complimentary admission includes light snacks and cash bar with $5 beer and wine.

 

 RSVP

A Midsummer Night’s Soirée
includes Gallery Talk: Ungno Lee's Art World

Wednesday, July 18, 2018 | 6:30 PM

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

ABOUT THE SPEAKERS

Robert C. Morgan is an artist, scholar, teacher, and art historian. Knowledgeable in the history and aesthetics of both Western and Eastern art, Dr. Morgan has lectured widely, published many essays and books, and curated numerous exhibitions. In 1999, he was awarded the first ARCALE prize in International Art Criticism in Salamanca (Spain) and served on the UNESCO jury at the 48th Biennale di Venezia the same year. In 2003, he was appointed Professor Emeritus in Art History at the Rochester Institute of Technology and in 2005, became a Senior Fulbright Scholar in the Republic of Korea. Dr. Morgan also continues his work as an artist and abstract painter, displaying his work in various exhibitions and collections.



Alain Kirili is a sculptor of verticality and modeling. His work emphasizes an “aesthetics of spontaneity” and seeks its formal unity through the variety of materials he employs in a quest for “organic simplicity.” He has worked on the monumental aspects of sculpture in public spaces (at the campus of the University of Bourgogne in Dijon, in Paris and Grenoble). Alain Kirili was commissioned by the Ministère de la Culture to install the sculpture of the 20th century in the Tuileries in Paris.


 

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council.