Korean Couture: Generations of Revolution is a compelling exhibition at the Cleveland Museum of Art about the history and transformative legacy of Korean fashion, presenting garments ranging from excavated 17th-century aristocratic garments to contemporary Korean couture by leading and emerging designers, including André Kim (1935–2010); Lie Sang Bong (b. 1954); Lee Chung Chung (b. 1978), for LIE; Lee Jean Youn (b. 1978); and Shin Kyu Yong (b. 1988) and Park Ji Sun (b. 1988), for Blindness.
Through juxtaposing historical and contemporary ensembles, Korean Couture: Generations of Revolution recounts the definition of “couture” from an inclusive perspective, amplifying how tradition has empowered contemporary Korean fashion designers to invent a new artistic language.
Photos Courtesy of Lie Sangbong
Korean Couture: Generations of Revolution is a compelling exhibition at the Cleveland Museum of Art about the history and transformative legacy of Korean fashion, presenting garments ranging from excavated 17th-century aristocratic garments to contemporary Korean couture by leading and emerging designers, including André Kim (1935–2010); Lie Sang Bong (b. 1954); Lee Chung Chung (b. 1978), for LIE; Lee Jean Youn (b. 1978); and Shin Kyu Yong (b. 1988) and Park Ji Sun (b. 1988), for Blindness.
Through juxtaposing historical and contemporary ensembles, Korean Couture: Generations of Revolution recounts the definition of “couture” from an inclusive perspective, amplifying how tradition has empowered contemporary Korean fashion designers to invent a new artistic language.
Join us for a conversation with Darnell-Jamal Lisby, who co-curated the exhibition with Sooa Im McCormick.
Korean Couture: Generations of Revolution | A Curator's Perspective
Thursday, September 5, 2024 | 6:30 PM (EDT)
The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017
About the Speaker:
Darnell-Jamal Lisby is Assistant Curator of Fashion at the Cleveland Museum of Art, where he develops projects rooted in fashion studies that connect with the institution’s comprehensive art collection. As a fashion historian, Lisby has a thorough understanding of the global history of fashion dating back to the 1300s. Notably, he has sought opportunities throughout his career to raise awareness around the intersection of Blackness and fashion studies from the 1800s to the present. Thus far at the CMA, he’s helped organize the museum’s iteration of The New Black Vanguard: Photography between Art and Fashion and curated the exhibitions Egyptomania: Fashion’s Conflicted Obsession and Korean Couture: Generations of Revolution. |
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